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[13​/​4​]​25​[​3​]​11​[​20​]​1

by CONFORT

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1.
Phase 1 08:14
2.
Phase 2 08:21
3.
Phase 3 09:31
4.
Phase 4 05:49
5.
Phase 5 03:22

about

[EN]
Concept album that musically transcribes the taking of a drug in several phases that express the state in which we are find.

[13/4] 25 [3] 11 [20] 1 is a mix of Rock,
Metal and noisy experimental music

Contribution :
Adrien [udu], Alicia [voice], Alicia [monotron], Aline [voice], Amélie [cymbals], Christophe [voice], Claire [laugh], Flora [sax], Florian [cor], Franck [vocals], Gaucho [voice], Germain [guitar, drums, bass, kaossilator], Guigou [voice], Kevin [bass], Lysiane [voice], Marie [flute], Nico [gong], Ninon [laugh], Q [guitar],
Remi [bass], Samos [voice], Sylvain [voice], Thomas [laugh],
Tony [percussion], Zoé [vocals]

Recorded at Studio Moulin De Taule by Derrek September / December 2015

Mixed Derrek
Mastering Buck
Drawings Manon Charles

[FR]
Album concept qui retranscrit musicalement la prise d'une drogue sous plusieurs phases qui expriment l'état dans lequel on se
trouve.

[13/4]25[3]11[20]1 est un mélange de Rock, Metal et musique expérimentale noisy

Contribution :
Adrien [udu], Alicia [voix parole], Alicia [monotron], Aline [voix parole], Amélie [cymbales], Christophe [voix parole], Claire [rire], Flora [sax], Florian [cor], Franck [chant], Gaucho [voix
parole], Germain [guitare, batterie, basse, kaossilator], Guigou [voix parole], Kevin [basse], Lysiane [voix parole], Marie [flute traversière], Nico [gong], Ninon [rire], Q [guitare], Remi [basse], Samos [voix parole], Sylvain [voix parole], Thomas [rire], Tony [percussions], Zoé [chant]

Enregistré au Studio Moulin De Taule par Derrek Septembre/Décembre 2015

Mixage Derrek
Mastering Buck
Dessins Manon Charles

credits

released September 19, 2016

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CONFORT France

Made of introspections, the CONFORT project took shape in 2015. Analyzing the effects of taking a drug, the first album [13/4] 25 [3] 11 [20] 1 released the following year on the BITUME label , is divided into different phases which express the sensations perceived by the composer. ... more

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